Psycho (1960)
The father of horror/thrillers.
Presentation:
This is what started it all. The contribution Alfred Hitchcock makes for cinema with this film is immeasurable. Itโs no wonder this film was such a box office success, indicated by its box office spectacle with regulations on who can enter the theatre for risk of spoiling the surprise. Fantastic ideas and camera work, though there are some rough cuts and edits that arenโt very smooth, nothing unforgivable as core scenes still have dramatically executed cinematography for its time. Casting is spot on and music is really marvelous setting a perfect tone for this classic horror/slasher/thriller.
Conclusion:
The first half of this film is incredible. Even for a classic, you donโt need to grade this film on a curve and it is just as relevant today. However the second half introduces retrospective clichรฉs, which is a bit unfair as itโs the first film of its type, but for viewers in 2024 they may expect greatness because of the first half. The drama aspects in the latter half incorporate a blander script with characters we donโt care about, which is underwhelming as the movie progresses with a lot of overstated and explanatory storytelling. This is necessary to comprehend the novel mind of a killer in 1952 but itโs implicitly understood in 2024 making it lose some of its punch. Still a fun flick anyway.
Recommendations
Making sense of a school shooter.
Cinematography as sharp as samurai steel.
Letโs sleep with the lights on.
If there was ever the case for why classic films are more cinematic.
Perhaps the holy grail is the laughter we found along the way.
Pre-internet adventures of American adolescence.
They actually filmed a one-shot movie.
Why science fiction should exist.
Global archeological adventure awaits!
Shakespearean downfall of a charismatic drug lord.
How wrestling is both fake and real at the same time.
James McAvoy takes the crown for multiple-personalities.
An obscure vision even for open eyes.
A horror you wonโt be able to look away from.
Samurai epic meets spaghetti western.
Nein out of ten.
Making racial injustice feel like an urban myth.
Denis Villeneuveโs artistic validation.
Suspense isnโt fully dead yet.
You talking to me?
When the story is more intriguing than the slashing.
Bible school for the disbelievers.
A violent metaphor on burden, trauma and guilt.
Arenโt all piano teachers masochistic?
Analog horror for those that love ghost stories.
To cancel, or not to cancel?
Spielberg makes a generation afraid of the beach.
The Mozart effect applies to movies too.