Die Hard (1988)
All I want for Christmas is an action blockbuster.
Presentation:
This holiday blockbuster is quite similar in anamorphic presentation to Heat with slick thieves in suits taking on a complex heist. However, this film is less slick in the presentation with the film mostly being from Bruce Willisโ point of view. This makes the film more emotional and I think overall makes it a better film today as it never takes itself as seriously as Heat. Alan Rickman is a really fun villain and mostly steals the show, but the film never has as much gravitas, which can be seen as a positive thing. The acting and dialogue is a bit campy and there are a few cheesy scenes, but considering itโs a Christmas movie itโs totally acceptable. Has a ton of lightness to it like Home Alone, even if there is blood and violence. The action is decent for todayโs standards, though not as kinetic or adventurous as Live Free or Die Hard, which is my favorite in the series.
Conclusion:
If you arenโt expecting a serious plot, this action flick entertains and keeps your attention even with its older sensibilities. There are of course many holes and eye-rolling inconsistencies in logic you should expect in the early blockbuster age, but it shouldnโt warrant serious criticism when itโs clearly meant to be a guilty pleasure flick for mindless action. Yippie Ki-Yay!
Recommendations
The redneck NASCAR heist.
Snip, snip.
All I want for Christmas is an action blockbuster.
Pacino and De Niroโs face-off lays the foundation for the heist genre.
A perfect full circle Christmas story.
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The greatest trick the devil ever pulled.
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A film that speaks to male audiences with just enough spark of magic.
A colorful film, but they should have chose a different lead to drive this movie.
They actually filmed a one-shot movie.
When the jokes are good enough to repeat again and again.