Oldboy (2003)
Korean revenge is as twisted as they come.
Presentation:
Park Chan-wook creates an iconic piece of Korean cinema, firmly establishing the Korea revenge drama. Considering it was made in 2003, it is sick and twisted even by todayโs standards. It stands out for itโs brutal violence and one man army action that skirts on the line of cathartic and redundant. The film starts slow and seemingly innocuous only up until the final scene, which shouldnโt be predictable. The only thing you can foresee in this Korean film is that there will be some seriously messed up shit.
Conclusion:
An unstoppable train of determined violence. At a glance, the pitch meeting for this story should be met with raised eyebrows. Itโs a risky plot that borders on cartoonish, but the director pulls it off, which can only be accomplished in Asian cinema. Itโs not the finest piece of storytelling, but thereโs a certain lightning in the bottle in this mystery that just works in Korean cinema. Absolutely diabolical. Do not watch the American remake.
Recommendations
How a legendary fable should be depicted.
The art film directors wish they made.
A dark marriage of comedy.
When the story is more intriguing than the slashing.
Somehow, sex addiction seems uninteresting.
The cyberpunk anime that started it all.
The best vampire movie might actually be an anime.
Though no one will believe, itโs never just teenage angst.
Horny vampyr wreaks havoc on German town.
A successfully triggering film.
A horror you wonโt be able to look away from.
Why you shouldnโt do drugs.
If Fincher made a slasher.
Arenโt all piano teachers masochistic?
South Koreaโs first Zodiac killer.
Nihilism portrayed through Japanโs lost teens.
A suicide you might not bother to save.
Korean revenge in a nutshell.
The absurdity of loyalty.
The iconic gothic nightmare.
Letโs sleep with the lights on.
The real charm of stop motion is bringing us back to childhood.
Korean zombies infect western cinema.
La crรจme de la crรจme of French originality.
A sacred slow burn.
Father, son and audiences try to survive this apocalyptic journey.
Korean revenge is as twisted as they come.
A violent metaphor on burden, trauma and guilt.
The core essence of a zombie film.
One of the best romantic comedies.