Citizen Kane (1941)
A revolution in filmmaking no longer revolutionary.
Presentation:
Orson Welles gives us one of the earliest classics to revolutionize the film industry. The black and white film utilizes novel cinematography including deep aperture to illustrate disorientation, cross dissolves, transitions and other novel techniques. Like many films this old, you have a different cinematic language with over-stated dialogue and animated characters. Itโs a bit melodramatic at times, almost boisterous in tone and pacing. Combined with a novel non-linear storytelling, there are times where it can be difficult to follow the story as the logic and expectations are jarring compared to what modern audiences would expect. Some of the sets are truly larger than life with grand, theatrical dancing, presentation truly ahead of its time.
Analysis:
The hook of this film, "What is the meaning of Rosebud" is truly a great touch even for modern times. This is the biggest takeaway you could have from this film as the rest of the film doesn't translate as gracefully even 10 years later. I think the pacing will feel disjointed for modern audiences, the lack of continuity for older classics is exacerbated in this film due to the non linear flashbacks.
Conclusion:
Due to its revolutionary ideas at its time, this film is considered the best film of all time. I think itโs only the best film of 1941. Credit should be given to such an influential and impactful film especially so early on, but there are films that execute the techniques of the films better even a decade later. Cinematography wise, The Third Man trumps this film visually. Story wise, Kubrick presents a better tragic hero in Barry Lyndon. A wonderful film for fans of classic cinema, but if you watch this film thinking itโs the best film of all time you should be disappointed.
Recommendations
The Mozart effect applies to movies too.
The alien movie that really started it all.
A philosophical odyssey venturing into our cosmic subconscious.
The most poignant portrayal of the Holocaust.
When the story is more intriguing than the slashing.
The art film directors wish they made.
When Terrence Malick makes a film rather than a diary.
Life is like a box of chocolates.
Pre-internet adventures of American adolescence.
Samurai epic meets spaghetti western.
An entertaining detective film noir mystery even by modern standards.
Nein out of ten.
Shakespearean downfall of a charismatic drug lord.
Global archeological adventure awaits!
Catharsis for all the high school injustice.
If there was ever the case for why classic films are more cinematic.
The only time youโll want to go to prison.
Cinematography as sharp as samurai steel.
Sex, politics, road trip.
Spielberg makes a generation afraid of the beach.
Not as blue as you think.
A war thriller at the peak of the French wave.
Why science fiction should exist.
Perhaps the holy grail is the laughter we found along the way.
You talking to me?
Perhaps the vastest epic of all time.
The father of horror/thrillers.
Can a prison movie have too much heart?
A masterclass in cinematography.